Ars Sine Finibus è un progetto artistico transfrontaliero che unisce l’Italia e la Slovenia, trasformando i vigneti del Collio e di Brda in un museo a cielo aperto. L’iniziativa promuove l’arte sostenibile attraverso sculture e installazioni realizzate con materiali di recupero.

Nel parco artistico diffuso, un museo a cielo aperto che si sviluppa tra i vigneti del Collio (Italia) e di Brda (Slovenia) prenderanno vita installazioni artistiche che celebrano la fusione tra natura e cultura. Le opere d’arte realizzate con materiali ecosostenibili e di recupero, simbolo di un’arte che non solo racconta, ma anche rispetta l’ambiente, verranno selezionate tramite il concorso “30 Under 35”, che coinvolgerà 30 giovani artisti under 35. Lavorando in coppie miste – un italiano e uno sloveno – questi giovani talenti saranno chiamati a creare opere uniche, esposte nei vigneti e liberamente visitabili dal pubblico. L’obiettivo non è solo quello di dare spazio alla creatività emergente, ma anche di rafforzare il dialogo culturale tra i due paesi, stimolando una nuova generazione di artisti che si sentano veramente europei.

Ars Sine Finibus je čezmejni umetniški projekt, ki združuje Slovenijo in Italijo ter spreminja Collio in briške vinograde v muzej na prostem. Pobuda spodbuja trajnostno naravnano umetnost s skulpturami in instalacijami izdelanimi iz recikliranih materialov.

V razpršenem umetniškem parku, muzeju na prostem, ki se razvija med vinogradi Collio (Italija) in Brda (Slovenija), bodo zaživele umetniške instalacije, ki slavijo zlitje narave in kulture. Umetniška dela, ustvarjena z ekološko trajnostnimi in recikliranimi materiali, kot simbol umetnosti, ki ne samo pripoveduje, ampak tudi spoštuje okolje, bodo izbrana na natečaju »30 Under 35«, v katerem bo sodelovalo 30 mladih umetnikov do 35 let starosti. Ti mladi talenti bodo v mešanih parih – Slovenec in Italijan – poklicani k ustvarjanju unikatnih del, razstavljenih v vinogradih in prosto dostopnih javnosti. Cilj ni le dati prostor nastajajoči ustvarjalnosti, temveč tudi okrepiti kulturni dialog med državama, s čimer bi spodbudili novo generacijo umetnikov, ki se počutijo resnično evropske.

Mappa e catalogo opere

Zemljevid in katalog del

Mucca senza passaporto

The work takes shape from an old rusty iron gate, laden with personal and collective stories, which becomes a symbol of passage, encounter, and choice. On this support, the two artists have created a two-voice intervention, in which figuration and abstraction dialogue in dynamic balance. On one side, a stencil of a cow crossed by a clear but now invisible border emerges, inspired by an archive photograph taken during the definition of the border between Slovenia and Italy, when an animal was found exactly divided in two by the political line. The cow thus becomes an emblem of the absurdity of separations, but also of the vital continuity that crosses places. On the opposite side, an abstract composition develops, where primary colors evoke city networks and urban walls, memories of barriers that once divided families and communities. The result is a work that combines two different languages in a single shared narrative: a monument to memory transformed by the vibrancy of color and line into a new dimension of lightness. A poetic and political act that reinforces the central message of the project: collaboration and art can transcend all boundaries. Materials The main material used in the work is the iron door taken from an old house belonging to the Princic family, a silent witness to the many transformations that have taken place over the years.

Lili Grudina
Lili Grudina is a local and multifaceted artist who lives creation as a true way of being. After completing art school with a focus on drama and theater, she devoted herself professionally to dance. At the same time, she also draws inspiration from other art forms, from performance to visual expressions. Her work intertwines movement, narration, and emotion, as she is convinced that art transcends genre boundaries and touches human beings in their deepest essence.
Daniele Poli
After attending art school, he enrolled at the Brera Academy, where he obtained a master's degree in painting in March 2024. Following an initial phase of three-dimensional experimentation characterized by the synergistic use of different media, he devoted himself to pictorial research, which he continues in a figurative key.

Synergos 2

"Two lands have long looked at each other from afar. Then time, like an invisible bridge, brought them together again." The installation "Synergos" (from the Greek "Synergy") was created for the "Ars Sine Finibus" project, a cross-border artistic project that unites Italy and Slovenia. Two lands have always looked at each other, divided by a line drawn by man. Synergos is born where that line dissolves, where the border is no longer a barrier but a shared breath. This work is a profound reflection on the possibility of eliminating the borders that have divided people for centuries. Through the use of fragile yet resistant materials, we wanted to create a metaphor for life: each object taken individually is corruptible and unstable, but their interconnection produces an unbreakable and resistant bond. At the top of the installation is the trunk that gave life to "Sinefinis," whose base is the result of two sinuous bodies merging, back to back. This composition represents an indestructible friendship, a mutual support that has strengthened the dialogue between two different cultures and countries. The iron wires are reminiscent of the branches of past vines, the roots that have allowed families to embrace and see each other again, but also the branches that stretch upwards, symbolizing growth, vital energy, and the strength of future generations in rewriting a common history. The structure that supports the work was also created using a binary pattern, with the hoops of barrels, ancient guardians of wine and time, intertwining in an embrace that unites stories, hands, and seasons. The base was decorated with a mosaic made of fragments of colored bottles. The glass, as transparent as the desire to understand each other, lets light through: the light of coexistence, respect, and beauty that comes from encounter, but also the wonderful natural landscape behind it, which is home to these two populations. Italy and Slovenia merge in this form suspended between matter and symbol, between past and promise. The work invites us to imagine a world where lines become bridges and peoples become brothers. Materials: Glass, Iron wire, Barrel hoops,

Vanessa Stefan
Vanessa Stefan was born in Imperia in 2002. She enrolled at the I.I.S Amoretti e Artistico high school in Imperia in September 2018, where she obtained her high school diploma in June 2022. In October 2022, she enrolled at the Academy of Fine Arts in Venice, where she studied painting. Her artistic activity led her to exhibit and participate in exhibitions and artistic events nationally, taking part in events such as Venice Art Night. She lives and studies in Venice, where she began an internal tutoring collaboration at the Academy of Fine Arts a few months ago.
Khamzina Nailia
I was born on February 22, 1994, in Kyrgyzstan. My journey began with the study of tourism, which opened the doors to a world of movement, cultures, and endless possibilities. Between travels and changes, I was looking for something deeper: a language capable of conveying the complexity of emotions, the meaning of existence, the hidden layers of reality. Photography was my first gateway to this world. Through the lens, I learned to see not only shapes and colors, but also stories, emotions, and time crystallized in an image. However, it was not enough for me. I wanted not only to capture reality, but to transform it, reveal new perspectives, express what words cannot say. This inner search led me to Italy, to the Academy of Fine Arts in Venice. Here I found the awareness that art is not simply a profession or a skill. It is a way of being, of thinking, of feeling. Here I became an artist, not because I learned techniques, but because I understood that art had always been inside me: I just had to give it a voice. For me, artistic creation represents the search for truth in chaos. Art is the foundation of my existence, a bridge between the inner and outer worlds, an infinite dialogue between the soul and the infinite.

Synergos 1

"Two lands have long looked at each other from afar. Then time, like an invisible bridge, brought them together again." The installation "Synergos" (from the Greek "Synergy") was created for the "Ars Sine Finibus" project, a cross-border artistic project that unites Italy and Slovenia. Two lands have always looked at each other, divided by a line drawn by man. Synergos is born where that line dissolves, where the border is no longer a barrier but a shared breath. This work is a profound reflection on the possibility of eliminating the borders that have divided people for centuries. Through the use of fragile yet resistant materials, we wanted to create a metaphor for life: each object taken individually is corruptible and unstable, but their interconnection produces an unbreakable and resistant bond. At the top of the installation is the trunk that gave life to "Sinefinis," whose base is the result of two sinuous bodies merging, back to back. This composition represents an indestructible friendship, a mutual support that has strengthened the dialogue between two different cultures and countries. The iron wires are reminiscent of the branches of past vines, the roots that have allowed families to embrace and see each other again, but also the branches that stretch upwards, symbolizing growth, vital energy, and the strength of future generations in rewriting a common history. The structure that supports the work was also created using a binary pattern, with the hoops of barrels, ancient guardians of wine and time, intertwining in an embrace that unites stories, hands, and seasons. The base was decorated with a mosaic made of fragments of colored bottles. The glass, as transparent as the desire to understand each other, lets light through: the light of coexistence, respect, and beauty that comes from encounter, but also the wonderful natural landscape behind it, which is home to these two populations. Italy and Slovenia merge in this form suspended between matter and symbol, between past and promise. The work invites us to imagine a world where lines become bridges and peoples become brothers. Materials: Glass, Iron wire, Barrel hoops,

Vanessa Stefan
Vanessa Stefan was born in Imperia in 2002. She enrolled at the I.I.S Amoretti e Artistico high school in Imperia in September 2018, where she obtained her high school diploma in June 2022. In October 2022, she enrolled at the Academy of Fine Arts in Venice, where she studied painting. Her artistic activity led her to exhibit and participate in exhibitions and artistic events nationally, taking part in events such as Venice Art Night. She lives and studies in Venice, where she began an internal tutoring collaboration at the Academy of Fine Arts a few months ago.
Khamzina Nailia
I was born on February 22, 1994, in Kyrgyzstan. My journey began with the study of tourism, which opened the doors to a world of movement, cultures, and endless possibilities. Between travels and changes, I was looking for something deeper: a language capable of conveying the complexity of emotions, the meaning of existence, the hidden layers of reality. Photography was my first gateway to this world. Through the lens, I learned to see not only shapes and colors, but also stories, emotions, and time crystallized in an image. However, it was not enough for me. I wanted not only to capture reality, but to transform it, reveal new perspectives, express what words cannot say. This inner search led me to Italy, to the Academy of Fine Arts in Venice. Here I found the awareness that art is not simply a profession or a skill. It is a way of being, of thinking, of feeling. Here I became an artist, not because I learned techniques, but because I understood that art had always been inside me: I just had to give it a voice. For me, artistic creation represents the search for truth in chaos. Art is the foundation of my existence, a bridge between the inner and outer worlds, an infinite dialogue between the soul and the infinite.

Scritto nelle pietre

A site-specific installation designed for a place of encounter, memory, and history. The three artists usually work with natural materials, earth, and stone, creating a mixture of raw materials found on site and a "new writing." The entire work contains the five types of stones and earth that make up ponca. At the center of the installation stands an arch, flanked by the outline of a wall: a former border. This passage, now apparently devoid of function in the absence of the wall, becomes a metaphor for transition: a threshold through emotions and states of being. It speaks of transformation as an act performed by us, a reminder of our ability to heal and choose to move towards a higher state of consciousness. The aesthetic dialogue is also evident: the Slovenian artist's arch emerges from the stone and develops into rust, while the wall created by the two Italian artists rises from the rust, supporting bricks made entirely from different types of earth and decorated with gold dots taken from the wire cages of Gradis'ciutta bottles. A visual interval, an optical exchange, a passageway that opens onto the Italian countryside and, symbolically, onto the Slovenian countryside on the other side. A passage that can be crossed and that no longer encounters obstacles.  The suspended bricks and stones create a play of levels as if they were suspended in the sky and at the same time anchored to the earth by thin stems that form a flowery meadow. Written in stone, it tells of what those stones and that earth experienced 50 years ago and which, when reassembled, give life to new writing aimed at the future. Materials: Ponca marl, Ponca stone, local marble, iron rods, iron bands from barrels, Grandis'ciuta bottle cages.

Gloria Veronica Lavagnini
1992, Italy), contemporary artist, curator, teacher. She graduated in 2014 and 2016 in Visual Arts - Painting at the Brera Academy of Fine Arts (Milan). She has been active as a contemporary artist since 2010 in Italy and abroad. Her most important exhibition and teaching collaborations include Russia, India, Mexico, Australia, and Switzerland. Winner of some of the most important international awards, including "Nocivelli," "Morlotti-Imbersago," "Michele Cea," "Farioli," and "A.M.A. Festival." Her works are in public and private collections in Italy and abroad. In the period 2020-2024, she is focusing on her work as a teacher and curator. Her most important curatorial projects include three editions of the Young section of the "Segrete" exhibition at the Palazzo Ducale (Genoa) and "High Graphics" , an international project based in Russia that involved more than 150 artists from all over the world. Fundamental to her poetics is the demand for thought, concept, and cleanliness, through the aesthetic use of small fragments to compose large installations that often require interaction with viewers. Memory, psychology, and the rights of women and the weakest are the main themes of her work.
Tajda Tomšič
Tajda Tomšič (1996, Slovenia) is an intermedia artist who works primarily in sculpture, painting, and performance. She graduated in Fine Arts – Sculpture from the Academy of Fine Arts and Design in Ljubljana (ALUO) in 2020, after a year of Erasmus+ exchange at the Academy of Fine Arts in Warsaw, Poland. In 2022, she completed her Master of Fine Arts at the Zürcher Hochschule der Künste (ZHdK), with the support of the prestigious Swiss Government Excellence Scholarship. Since 2019, Tomšič has presented five solo exhibitions and participated in numerous group exhibitions in Slovenia, Switzerland, Germany, and Italy. Her works are part of public and private collections, such as the work Triptykon, located in the Sculpture Park in Storkow, Berlin (2021). In 2023, she became an independent artist, working as a sculptor and interdisciplinary artist, after professional experiences in leading galleries and art spaces in Zurich and Ljubljana, also taking on teaching and curatorial assignments on a project basis. Her practice is guided by an instinctive relationship with materials and media, while thematically she explores the role of women in contemporary society, as well as issues related to memory, identity, and representation. Through immersive sculptural installations and performative strategies, Tomšič creates spaces that invite the audience to engage critically and experientially with the dynamics of the present.
Juliana Florez Garcia
Juliana Florez Garcia (1994, Colombia) is an interdisciplinary artist working in visual art and architecture. In 2021, she moved to Milan to complete her artistic training, graduating in Visual Arts (specializing in Decoration) at the Brera Academy. She is currently completing a Master's degree in Exhibition Design, which enriches her installation approach with an architectural spatial sensibility. Born with dual citizenship—Colombian and Italian—her practice draws on her experiences in both contexts, questioning the rigid boundaries of cultural identity and embracing its fluid, hybrid, and transforming nature. Her research explores themes related to interculturality, memory, and a sense of belonging from an intimate and personal perspective, through sculpture, drawing, fabric, installation, and architecture. Her hybrid practice reflects this dual belonging and manifests itself in projects that intertwine territories, disciplines, and identities.

Santuario

A giant blue lacquered wine barrel magically descended from the sky, like a spaceship; inside, a spiritual environment dedicated to farm work. The ancient tools at the bottom of the large wine barrel resemble religious icons placed on the altar of a solitary sanctuary. Elements that tell the story of the land, hard work, and dedication. The connection with working the land is typical of the areas between Italy and Slovenia and knows no spatial or temporal boundaries.  It is a game of reversal, where the wine barrel—the final product—contains the tools of the trade themselves, in a game similar to that of matryoshka dolls; the barrel is transformed into habitable architecture that modulates the entire surrounding area, creating a surreal and suspended atmosphere. A large, brightly colored toy, a dreamlike sanctuary, a relational environment: as if it had been placed there in the middle of the night by another population. Materials: Barrel, wood, gravel, blue enamel, ancient farming tools

Pietro Chiarello
Pietro Chiarello (Gallarate, 2002) studies and works in Milan. His artistic research focuses on the expressive potential of the relationship between war and its playful action. Starting from the concept of 'play' as an essential moment for human beings, the artist's imagination focuses on the aesthetics of play, seeking the boundary between the 'power' of toys and reality. He has participated in several exhibitions and cultural events, including: the exhibition "A ridotto contenuto calorico" at Galleria Arrivada (Milan, 2022), the "Unfair" fair at the Galleria Arrivada pavilion (Milan 2023), winner of the "Human LandScape 2023" competition with a permanent exhibition at the "Museo Giovani Artisti," Idroscalo di Milano (Segrate, 2024)
Jasmin Prezioso
Jasmin Prezioso (Italy, 1998) lives and studies between the province of Monza and Milan. She attended the Nanni Valentini art school in Monza, graduating in Set Design, and then graduated in Cultural Heritage Sciences from the University of Milan with a thesis on aesthetics entitled Aesthetics of exhibition spaces: light, color, emptiness. She is currently completing her master's degree in Art History and Criticism at the University of Milan. In 2022, she won the Special Prize for writing a critical text on Cesare Peverelli, sponsored by the Peverelli Archive and the Boschi di Stefano House Museum, and in the same year, she began writing for various art publications. In 2023, she began collaborating as co-curator for the Heart LAB project, a young offshoot of the Heart Association in Vimercate. In 2024, she collaborated as head of research in the art and artists section at the Corrente Foundation for the establishment of the Quarto Platano permanent museum of modern art (Forte dei Marmi), immediately after her university internship. She currently writes for Exibart and is on the editorial board of the scientific journal Materiali di Estetica, published by the University of Milan. She was selected as a finalist for the 2025 San Fedele Visual Arts Award, the 2025 Nocivelli Award in the painting section, and the 2025 Giovanarte Award curated by Chiara Canali. Her most recent exhibitions include: Volare oltre la luce (Flying Beyond Light) at the Vittorio Leonesio Foundation (BS), curated by Kevin McManus and Mariacristina Maccarinelli, Esse Potest - compresenze (im)possibili (Esse Potest - (Im)possible Coexistences) at the Catholic University of the Sacred Heart, and Mantra del blu (Monthly Performance) at the Binario7 Theater in Monza. Among her most recent residencies: two-month residency at Villa Greppi, residency at Teatro Binario 7, residency at Studio FREM.

Fortino

A place of conflict and play at the same time, a space for contemplation and lively exchanges. Gazes that tend towards the universal. Fortino does not impose itself as a closed work but as a material vision of a continuous succession of energies; it reveals an interior made up of voids, in open dialogue with the sky and the surrounding nature, revealing itself as both an arena for confrontation and a universal chapel that tends upwards. The work stands as an opening and a passage, a non-place that becomes a place, an attempt to capture the immateriality of the exchange between people, countries, and communities, bringing with it all the complex stratifications of the case. The shape of the Fortino is linked to the world of strategic warfare, made up of waiting and sightings of the other: usually located on border areas, on hills and high ground, these structures served as operational outposts. The two doors invite the f human-human/human-landscape relationships, transforming the material physicality of the work into a living and changing situation.  It is an architecture that does not fulfill its role as a stronghold and protection, but rather reveals an open and vulnerable space: the connection with the ground and the sky, with the other. Materials: Wooden palisades for viticulture, blue enamel, wire

Pietro Chiarello
Pietro Chiarello (Gallarate, 2002) studies and works in Milan. His artistic research focuses on the expressive potential of the relationship between war and its playful action. Starting from the concept of 'play' as an essential moment for human beings, the artist's imagination focuses on the aesthetics of play, seeking the boundary between the 'power' of toys and reality. He has participated in several exhibitions and cultural events, including: the exhibition "A ridotto contenuto calorico" at Galleria Arrivada (Milan, 2022), the "Unfair" fair at the Galleria Arrivada pavilion (Milan 2023), winner of the "Human LandScape 2023" competition with a permanent exhibition at the "Museo Giovani Artisti," Idroscalo di Milano (Segrate, 2024)
Jasmin Prezioso
Jasmin Prezioso (Italy, 1998) lives and studies between the province of Monza and Milan. She attended the Nanni Valentini art school in Monza, graduating in Set Design, and then graduated in Cultural Heritage Sciences from the University of Milan with a thesis on aesthetics entitled Aesthetics of exhibition spaces: light, color, emptiness. She is currently completing her master's degree in Art History and Criticism at the University of Milan. In 2022, she won the Special Prize for writing a critical text on Cesare Peverelli, sponsored by the Peverelli Archive and the Boschi di Stefano House Museum, and in the same year, she began writing for various art publications. In 2023, she began collaborating as co-curator for the Heart LAB project, a young offshoot of the Heart Association in Vimercate. In 2024, she collaborated as head of research in the art and artists section at the Corrente Foundation for the establishment of the Quarto Platano permanent museum of modern art (Forte dei Marmi), immediately after her university internship. She currently writes for Exibart and is on the editorial board of the scientific journal Materiali di Estetica, published by the University of Milan. She was selected as a finalist for the 2025 San Fedele Visual Arts Award, the 2025 Nocivelli Award in the painting section, and the 2025 Giovanarte Award curated by Chiara Canali. Her most recent exhibitions include: Volare oltre la luce (Flying Beyond Light) at the Vittorio Leonesio Foundation (BS), curated by Kevin McManus and Mariacristina Maccarinelli, Esse Potest - compresenze (im)possibili (Esse Potest - (Im)possible Coexistences) at the Catholic University of the Sacred Heart, and Mantra del blu (Monthly Performance) at the Binario7 Theater in Monza. Among her most recent residencies: two-month residency at Villa Greppi, residency at Teatro Binario 7, residency at Studio FREM.

Spazio di Vite 2

The sculpture, made of iron rods and wire with remnants of vine shoots, depicts an enlarged sparkling wine cage. The work stems from the intention to give new dignity to a marginal, often ignored, but highly evocative object. Despite its simplicity, the cage immediately brings to mind the world of wine, with all its symbolic connotations of conviviality, anticipation, and celebration. The use of iron enhances the contrast between the delicacy of the original object and the solidity and monument n of the sculpture. The dimensions of the cage allow the viewer to walk through it, transforming it into a symbolic space where Italian and Slovenian cultures meet, united by what they have in common. Description of the work The rods and wire used to create the sculpture were chosen for their use and importance in vineyards, however marginal they may seem. These elements support the vine, helping it to grow; in return, the plant twists around these materials, creating a relationship between the natural and the industrial. Materials: Iron rods, vine shoots

Andolina Chiara
Born in 1996, Monza. After attending the post-diploma course in Illustration and Visual Design at the Civica Scuola di Arte & Messaggio in Milan, I embarked on a career as a textile designer, developing technical knowledge in the field of fabrics and honing my traditional and digital drawing skills. At the same time, I continued my artistic research and, starting in 2023, I am attending a three-year course in Sculpture at the Brera Academy of Fine Arts.
Marchesi Tommaso
My name is Tommaso Marchesi, I am twenty years old and I was born and raised in Milan. After attending the Sacro Cuore Art School, where I developed my first artistic skills, I chose to continue my studies by enrolling in the Sculpture course at the Academy of Fine Arts in Milan. My research focuses on simple objects capable of evoking environments or themes that are close to my heart.
Tessaro Simona
I was born in a small town in the province of Udine, in Friuli Venezia Giulia. Since I was a child, I have been passionate about music and sculpture, two practices that came naturally to my family. At the age of 13, I started playing in the Armonie di Sedegliano band-orchestra, specializing in percussion and drums. At 19, I moved to Milan to enroll at the Brera Academy of Fine Arts, where I attended the Department of Sculpture. Between 2024 and 2025, I took part in an Erasmus program at the Royal Academy of Fine Arts in Brussels. It was during that experience that I decided to move permanently to Belgium.

Spazio di Vite 1

The sculpture, made of iron rods and wire with remnants of vine shoots, depicts an enlarged sparkling wine cage. The work stems from the intention to give new dignity to a marginal, often ignored, but highly evocative object. Despite its simplicity, the cage immediately brings to mind the world of wine, with all its symbolic connotations of conviviality, anticipation, and celebration. The use of iron enhances the contrast between the delicacy of the original object and the solidity and monument n of the sculpture. The dimensions of the cage allow the viewer to walk through it, transforming it into a symbolic space where Italian and Slovenian cultures meet, united by what they have in common. Description of the work The rods and wire used to create the sculpture were chosen for their use and importance in vineyards, however marginal they may seem. These elements support the vine, helping it to grow; in return, the plant twists around these materials, creating a relationship between the natural and the industrial. Materials: Iron rods, vine shoots

Andolina Chiara
Born in 1996, Monza. After attending the post-diploma course in Illustration and Visual Design at the Civica Scuola di Arte & Messaggio in Milan, I embarked on a career as a textile designer, developing technical knowledge in the field of fabrics and honing my traditional and digital drawing skills. At the same time, I continued my artistic research and, starting in 2023, I am attending a three-year course in Sculpture at the Brera Academy of Fine Arts.
Marchesi Tommaso
My name is Tommaso Marchesi, I am twenty years old and I was born and raised in Milan. After attending the Sacro Cuore Art School, where I developed my first artistic skills, I chose to continue my studies by enrolling in the Sculpture course at the Academy of Fine Arts in Milan. My research focuses on simple objects capable of evoking environments or themes that are close to my heart.
Tessaro Simona
I was born in a small town in the province of Udine, in Friuli Venezia Giulia. Since I was a child, I have been passionate about music and sculpture, two practices that came naturally to my family. At the age of 13, I started playing in the Armonie di Sedegliano band-orchestra, specializing in percussion and drums. At 19, I moved to Milan to enroll at the Brera Academy of Fine Arts, where I attended the Department of Sculpture. Between 2024 and 2025, I took part in an Erasmus program at the Royal Academy of Fine Arts in Brussels. It was during that experience that I decided to move permanently to Belgium.

Sconfinare 2

Sconfinare is an installation by Sofia Aloni and Lorenzo Lavezzo that symbolically stitches together a territory divided by politics but united by common history and cultures. In 1947, Italy and Yugoslavia divided the territories: a wall split cities, families, and homes. It was not until 2004 that the barrier fell, but for decades, daily life remained fragmented. To illustrate this divide, the artists chose demographic statistics from Gorizia and Nova Gorica: two cities in mirrored dialogue, where what grows on one side declines on the other, a sign of the impossibility of dividing what is naturally united. The inspiration comes from the world of winemaking: barrels that hold stories of wood, wine, and people, united by the same color sedimented by time, regardless of which side of the border they are on. The staves, similar to columns on a graph, become elements of a mirrored and complementary sculpture, reminiscent of a gate: not a barrier, but a puzzle that unites. The artist's task is always to cross boundaries Materials: used wine barrels

Sofia Aloni
Sofia Aloni was born in Milan in 2001. She lived and studied in Milan (Brera Academy) and Berlin (UdK), and is currently studying at the IUAV University in Venice. Aloni is an artist and researcher. Through painting, performance, writing, and mockery, she reflects on the contemporary landscape. In her work, she forces and violates the boundaries between urban and digital spaces to reason and redefine the concept of reality in which we are immersed. She is the winner of the latest edition of the FigurArsi award (2024). Her works have been exhibited in the group exhibitions 370° (Fondazione Bevilacqua La Masa, Venice 2025), Summer Storm (Candy Snake Gallery, Milan 2023), Sguardi/Blicke (Galleria Lorenzelli, Milan 2021 and Westende Galerie, Frankfurt 2021), Osservatorio X (Superstudio, Milan 2021).
Lorenzo Lavezzo
Born in 2004 in the province of Vicenza, he graduated from the Liceo Artistico U. Boccioni in Valdagno (VI), specializing in plastic and pictorial arts. He studied at the Academy of Fine Arts in Venice in the sculpture department.

Sconfinare 1

Sconfinare is an installation by Sofia Aloni and Lorenzo Lavezzo that symbolically stitches together a territory divided by politics but united by common history and cultures. In 1947, Italy and Yugoslavia divided the territories: a wall split cities, families, and homes. It was not until 2004 that the barrier fell, but for decades, daily life remained fragmented. To illustrate this divide, the artists chose demographic statistics from Gorizia and Nova Gorica: two cities in mirrored dialogue, where what grows on one side declines on the other, a sign of the impossibility of dividing what is naturally united. The inspiration comes from the world of winemaking: barrels that hold stories of wood, wine, and people, united by the same color sedimented by time, regardless of which side of the border they are on. The staves, similar to columns on a graph, become elements of a mirrored and complementary sculpture, reminiscent of a gate: not a barrier, but a puzzle that unites. The artist's task is always to cross boundaries Materials: used wine barrels

Sofia Aloni
Sofia Aloni was born in Milan in 2001. She lived and studied in Milan (Brera Academy) and Berlin (UdK), and is currently studying at the IUAV University in Venice. Aloni is an artist and researcher. Through painting, performance, writing, and mockery, she reflects on the contemporary landscape. In her work, she forces and violates the boundaries between urban and digital spaces to reason and redefine the concept of reality in which we are immersed. She is the winner of the latest edition of the FigurArsi award (2024). Her works have been exhibited in the group exhibitions 370° (Fondazione Bevilacqua La Masa, Venice 2025), Summer Storm (Candy Snake Gallery, Milan 2023), Sguardi/Blicke (Galleria Lorenzelli, Milan 2021 and Westende Galerie, Frankfurt 2021), Osservatorio X (Superstudio, Milan 2021).
Lorenzo Lavezzo
Born in 2004 in the province of Vicenza, he graduated from the Liceo Artistico U. Boccioni in Valdagno (VI), specializing in plastic and pictorial arts. He studied at the Academy of Fine Arts in Venice in the sculpture department.

Il progetto Ars Sine Finibus è finanziato dall’Unione europea nell’ambito del Fondo per piccoli progetti (Small Project Fund) GO! 2025 del Programma Interreg VI-A Italia-Slovenia 2021-2027, gestito dal GECT GO.

Projekt Ars Sine Finibus financira Evropska unija iz Sklada za male projekte GO! 2025 programa Interreg VI-A Italija-Slovenija 2021-2027, ki ga upravlja EZTS GO.